Imported from MegaTroll222/OMNI-UGC-AD-FACTORY (SKILL.md). Install upstream with npx skills add MegaTroll222/OMNI-UGC-AD-FACTORY. Copyright stays with the author.

Omni UGC Ad Factory

Turns a product + an actor reference photo into one finished ~20-second UGC ad: two chained 10-second Omni clips stitched into a single seamless 9:16 vertical MP4. That file is the deliverable — no composites, no extra formats. The user does what they want with it.

Model: gemini-omni-flash, locked. The only model that produces synchronized speech AND 10-second clips. Casting stills: gpt-image-2, locked (see references/actor-image.md — nanobanana produced plastic skin through four rounds of tuning; the model is the first variable to change, not the last).

How this skill is enforced — read this first

You never hand-write a prompt for a paid generation call. Every prompt is assembled by a gate script from structured JSON you write. If the gate fails, you fix the JSON and re-run it. The generation call uses the approved file's content verbatim:

casting.json  → scripts/gate_casting.py →  ad1/approved_casting.txt  → gpt-image-2
clip1.json    → scripts/gate_omni.py    →  ad1/approved_clip1.txt    → gemini-omni-flash
clip2.json    → scripts/gate_omni.py    →  ad1/approved_clip2.txt    → gemini-omni-flash

The gates encode every production failure this pipeline has ever had: age-drifted casting, device words rendering into frame, robot voices, choreographed disfluencies, "same girl" identity shorthand, ad-copy closers, re-described seed frames, negated visual instructions, missing camera landings. A prompt that skipped its gate does not exist.

Data files the gates read (edit these to improve the system, not the prose rules): data/age_lexicon.json · data/delivery_glossary.json · data/voice_spec.json · data/color_grading_glossary.json

The chaining mechanism

Omni holds its reference image for the first ~8–10 frames before dissolving into the generated scene. Seed clip 2 with clip 1's trimmed final frame and that hold becomes an invisible join. The order cannot be rearranged:

generate clip 1 → TRIM clip 1's dead-air tail → extract the trimmed clip's last frame
              → seed clip 2 with it → generate clip 2 → seam-check → trim tail → stitch

Trim clip 1 before extracting the seed — trim after, and clip 2 chains to a frame that no longer exists in the final cut. scripts/adkit.py enforces this.

Corollary: the hold also puts the casting still's lighting on screen for the first third of a second of every clip. Prompt the scene the still is already lit for, or the dissolve IS a visible mid-clip light change.

0 — Setup: one round of questions, then stop asking

Ask all of these in one message, then infer everything else:

1. Actor age bracket — 20s / 40s / 50s (drives the casting lexicon, mechanically).
2. Delivery tone — yapping & fast / agitated & fed up / excited & hyped / calm, honest & direct.
3. Visual lane — lane zero (no graphics — the default and usually the best) / hand-drawn illustration / bold color + arrows / motion graphics / environment & light.
4. Research leads (open question): "To make research fastest — do you know your competitors? Paste their Meta Ads Library URLs if you have them, or just give me the keywords that best fit the product. Otherwise I'll search from scratch."
5. Actor reference image: ask the user to supply one (Pinterest or anywhere). Recommend: a natural, uneven, real photo — ordinary light, imperfect framing, no studio polish. The more accidental the photo, the better the actor.

If the user already answered any of these, don't re-ask. If they say "you pick", pick, state the pick in one line, move on.

1 — Research the product

Web-search it. Establish what it does, its mechanism (the specific thing it does that solves the problem), and the real pain in users' own words (reviews, Reddit, App Store). "Reduces screen time" is a category. "Makes you take a breath before the app opens" is a mechanism. The mechanism is what the ad turns on.

2 — Pull reference: 5 paid + 5 organic

Use the user's leads first. Competitor page URLs → pull those advertisers directly. User keywords → use them verbatim before inventing your own. Only fall back to your own queries if theirs return nothing — and then follow the keyword-hygiene rules in references/pitfalls.md §4 (query the advertiser's copy-words, 2–3 words, check hit rate, dedupe by page_id, days_running is age not runtime).

Meta — maxfusion_search_meta_ads: media_type: "video", limit: 10, select 5. TikTok — maxfusion_search_tik_tok: sort: "most_liked", count: 10 (enum floor), select 5. Rank organic by save rate (saves/views), not views. Import via maxfusion_import_meta_ads / maxfusion_import_tik_tok.

3 — Tear them down on the canvas

One flow, two flowGroups (paid: adItem ×5; organic: tiktokItem ×5), each into a contentAnalyzer (gemini-3.1-pro-preview, master prompts left "" — the backend hydrates forensic transcribers; don't rewrite them). Validate (free) → run → read runtime_state.node_outputs[node][0].items[].analysis_text via maxfusion_get_flow.

HARD GATE — no analyzer text, no scripts

Metadata is not research. Ad copy, page names and engagement counts assemble a confident, plausible, wrong thesis — this happened on a real run and had to be retracted in full. If the user asks for scripts before the teardown has run, say you can't write them yet.

Mine: hooks separately from pitches (first-3-seconds VO verbatim), CAST across all ten (the uncast role is usually the ad), and the pain nobody is saying out loud.

4 — Write the script

PROBLEM (pain) → TWIST THE KNIFE → SOLUTION. ~25–28 words per 10s clip (drop to ~22–25 with heavy disfluency). Clip 1 = problem + twist; clip 2 = solution. Two distinct candidate scripts, presented in one approval gate; the user approves one.

The not-an-ad law. This is a person talking, just sharing what's up — never copy:

• The product name gets the smallest event, thrown away mid-sentence, unstressed. Bury the endorsement in a subordinate clause she isn't paying attention to.
• The strongest structure: complaint-as-endorsement — she's annoyed she needs it, or humiliated that it worked. She's already on the viewer's side against the ad.
• Real speech ends on something unimportant. One line of pure waste. One line unresolved. No em dashes (Omni performs them). No antithesis pairs. No closers.
• The gate_omni script enforces the mechanical tells (dashes, ad-copy closers, word budget); the ear test is yours: read it aloud — if a copywriter would be proud, rewrite.

Then the humanizer — forced, not inferred. Read references/humanizer.md in full and apply it to the approved script. If that file is a placeholder, STOP and tell the operator. Never substitute your own idea of "humanize".

5 — Compile the Omni prompts (beat tagging → glossary → gate)

For each clip, write ad1/clipN.json:

1. Beat-tag every script line with the speaker's internal state, from the glossary's state list (venting, ashamed, resigned, thinking, deciding, confiding, …).
2. Pick behaviors per beat from data/delivery_glossary.json — only behaviors valid for that beat's state, within budget (3–6 per clip, ≥2 categories, throat-clear once per ad). Weave each behavior's phrasing into the delivery prose (the gate verifies it's there).
3. Write the voice block once — all six categories: pitch placement, texture, pacing, volume dynamics, terminal pitch, accent mechanics (a city, rhoticity, vowel shape). Paste it byte-identical into clip 2 (the gate hashes it).
4. Delivery = states, never choreography. "She runs out of air so her voice sags into a creak on its own" — never "creak on the word 'day'". No emotion words anywhere.
5. Clip 2: style must be "" and nothing may re-describe face/hair/wall/light/crop — the gate injects the seed-premise line itself and fails you on any visual re-description.
6. Closing: the speech may trail off; the camera never does. Land the shot: still, eyes open, mouth closed, camera locked (clip 1's closing IS the seed frame).
7. framing_hold (clip 1, when the casting still has a hard angle): Omni's prior is a centred level talking head and it will quietly straighten a canted/low/off-centre shot. State positively what STAYS true for all ten seconds ("the frame stays canted, she keeps the phone where it is…"). The gate rejects prohibitions. Expect partial obedience — the model resists hard angles; production practice is to also trim clip 1's head past the hold-then-dissolve jump (step 8) so the ad opens on the model's settled frame.

Run python3 scripts/gate_omni.py --input ad1/clip1.json --workdir ad1/ until PASS.

6 — Cast the actor (reverse-prompt, never invent)

Casting is reverse-prompting the user's reference photo. We do not compose an image of our own, and we do NOT pass the photo in references (that clones a real person — rights problem; text-to-image only). The photo is read with your eyes, exhaustively:

1. LOOK at the photo with a tool — crop, enlarge, view. Never assert from memory; when corrected, re-open the image, don't re-reason.
2. Write ad1/casting.json, reverse-prompting every field from the photo: subject (mechanics, not emotions — and include eye color; omit it and the model picks its own), framing_angle, shoot_style, lighting (direction + source + hardness + how it sits on the skin), color_grade (terms from data/color_grading_glossary.json), background, composition_accidents (a real photo is badly made — canted, off-centre, clipped, missed focus).
3. physiology comes from the age bracket lexicon, not from taste: the gate requires ≥4 right-age terms and zero wrong-age terms (data/age_lexicon.json). Never write "young" — write the physiology and let age fall out.
4. Device words never appear — iphone/phone/tripod/ring light render INTO the image. Describe the look of the capture, not the equipment. The gate enforces this.
5. The still's lighting must match the scene the clips will prompt (see Corollary above).

Run python3 scripts/gate_casting.py --input ad1/casting.json --workdir ad1/ until PASS. Generate: maxfusion_generate_image, model: "gpt-image-2", aspect_ratio: "9_16", quality: "high", image_count: 2, prompt = approved_casting.txt verbatim. User picks. Check the pick against the bracket — a mis-aged actor is baked into every clip downstream. Change ONE variable per correction round.

7 — Generate clip 1

Upload the chosen still (maxfusion_upload_asset: filename, size_bytes, purpose: "image_reference", content_type), then:

maxfusion_generate_video:
  video_model:        "gemini-omni-flash"
  aspect_ratio:       "9_16"
  duration:           10
  resolution:         "720p"
  ref_image_mode:     "ingredients"
  ref_image_file_ids: [<still file_id>]
  prompt:             <ad1/approved_clip1.txt, verbatim>

Omni has no frames mode — start_frame_file_id fails validation. Chaining is step 8.

8 — Trim, extract the seed, chain clip 2

Claude Code (primary): download the clip from its asset URL, then python3 scripts/adkit.py seed --clip1 clip1.mp4 --workdir ad1/ — measures speech, trims the dead-air tail, extracts the trimmed clip's last frame. Also trim clip 1's head: the hold-then-dissolve leaves ~5–10 reference frames then a hard jump (interframe delta spike

15/255) — measure it, cut clip 1's start at the spike (speech starts later; nothing is lost), and update state.json's clip1 path/duration. Clip 1's head is safe to trim; only clip 2's head is sacred. Look at the seed frame (one view call): clean, still, eyes open — a mid-blink frame chains badly. Upload it, generate clip 2 same params, ref_image_file_ids: [<seed frame file_id>], prompt = approved_clip2.txt verbatim.

Claude app (fallback): no local ffmpeg / S3 blocked → measure the tail by watching the clip, use maxfusion_extract_video_frame (video_id + timestamp just before dead air) for the seed, and ask the user to attach MP4s when a measurement is needed. Say this up front.

9 — Seam-check, stitch, deliver

python3 scripts/adkit.py finish --clip2 clip2.mp4 --workdir ad1/ — verifies the seam (mean abs diff of clip 1's end vs clip 2's frame 0 must be < 5/255; FAIL = clip 2 wasn't seeded right → regenerate, never paper over), trims clip 2's tail (never its head — the held frames ARE the seam), and stitches both trimmed clips into one 9:16 MP4.

Deliver that file. It is the whole deliverable.

Then recommend (don't do): "Omni's audio is studio-clean; a room-tone bed ~15dB under the voice makes it sound recorded. Send me a room-tone/ambience file and I'll mix it in." Mix only if the user provides a REAL recorded bed — a synthesized noise bed was tried in production and rejected by ear; do not synthesize one. Measure, never fix the gain: bed_gain = (voice_mean − 15) − bed_mean, mixed with amix normalize=0; a quiet stretch should lift ~8–14 dB and the voice mean must stay within 0.2 dB (commands in references/pitfalls.md).

Variations: if the user wants another ad, repeat 4–9 with a different pain/angle (lane zero: the diversity axis is the angle and the pain, not decoration).

References & files

• references/pitfalls.md — every production failure: symptom → cause → fix. Read before the first generation call.
• references/omni-prompting.md — beat structure, visual lanes, positive-language rules.
• references/actor-image.md — Raw Camera Casting Realism (condensed) + age-texture decoupling + the casting rules that each cost a wasted generation.
• references/raw-camera-casting-realism-master-prompt.md — the full master realism prompt (canonical source for the style; the age lexicon modulates it per bracket).
• references/delivery.md — how a real person actually talks: invariants, register transposition, state-not-choreography.
• references/humanizer.md — the operator's humanizer. Forced read at step 4.
• scripts/gate_casting.py, scripts/gate_omni.py — the gates. scripts/adkit.py — trim, seed, seam, stitch.
• data/*.json — the four glossaries the gates enforce.